It’s a means of silencing the edit while you work or playback your material without having to mute Resolve from the OS volume bar. The difference between muting or lowering the volume using this tool is that it only affects Resolve as a software operation. Likewise, you can simply lower the volume. However, if you ever want just to mute the entire timeline you can click the mute icon here. I know this is a crash course covering just the basics, but I won’t tell you which buttons do what. If you right click on a track menu, you can change the audio track type from mono to stereo to 5.1 and so on. Now, let’s take a look at what audio features we have here on the edit page. Underneath the video track area, is, of course, our audio timeline. That’s pretty much all of the audio aspects that we’ve previously covered. To turn that back on, you just hit the timeline view options and make sure the audio waveform icon is highlighted white. You may have turned off the waveform display. If you find that your audio clips aren’t showing audio waveforms, don’t worry.

Or, if you open the inspector, you can adjust the volume with more control. Then you can increase or decrease the audio level by moving this bar up or down. On the timeline clips themselves, you can create a fade-in or -out by dragging the white handles inward.Then, click and drag the audio waveform icon onto an audio track. If you want the audio element from a video clip currently in the source viewer, you just hover over the lower third of the video.We’ll look at those but first, in episodes 1-3, we touched upon a few audio-related elements. So, there are a few audio features on the edit page that we haven’t covered.

We’ll touch upon some features in our final chapter. Not to be deceptive, but this isn’t going to be our primary focal point of the episode, and the same goes for the fusion and color pages. After all, how often do we notice a crew member in the corner of the frame until someone points it out to us on YouTube.įor a year or so, we’ve had the addition of the Fairlight audio page with a page dedicated to professional audio mixing. An audio slip-up is easy to hear, whereas a visual slip-up can go unnoticed. In this episode, we look at audio features on the edit page.Īudio is often regarded as more important than visuals. Welcome to part four of the PremiumBeat Resolve Editing crash course. In part 4 of our six-part video series The DaVinci Resolve 15 Crash Course, we take a look at what you can do with your audio on the edit page.

Davinci resolve 15 audio not working